Macro Photography: Shield Bug

 I've always loved insects and creepy crawlies, and they're one of my favourite things to photograph. I enjoy using the macro on my camera because I can capture detail which is near impossible to see in real life, as it is so small (and bugs tend to move quickly). These are a few of my favourites.

I like that the detail of this one is on the leaves, not the bug, as the light is coming through them, highlighting the veins of the leaves and silhouetting the bug.

 This one I find interesting because of the large patch of blue at the top, which contrasts with the busyness of the rest of the background. I also really like how the green of the leaf is being reflected by the shield bug.

 Sunlight, picking out the colour and texture of the bug's shell.

 I like the brightness in this photo, I haven't altered it in any way, because I quite like the washed-out effect it gives, and the reflection, which makes the shell look almost glittery.

 I like the detail of the shadow.

 I've altered the contrast in this one, so the green is much more vibrant and not as natural, but i like the way it picks out the veins of the leaves and the texture of the bug's shell.

 Cleaning his antenna. From this angle, it's legs remind me of a crab's.

close up of the shell's texture.

Metalwork: Recycling a cat food can

 I decided to use empty washed out cat-food cans, because we have four cats, so the cans are readily available  and are always just put in the recycling bin, so I wanted to use them to make something new. After looking at leaves, I decided to use the ridges that go around the can for the veins of the leaves. I cut diagonally across the ridges of the can, then cut out the two halves of the leaf. 

I used a punch and a hammer to make holes in either side of the leaf, then used wire to attach them together neatly. I made three leaves in this way, and when they are all put together I think they would make a nice necklace, or brooch.

 Next I used the base of the can, which is thicker than the sides and has circular grooves, and put enamel powder into the centre circle and put it into the enamel kiln.

 When I took it out and it cooled, I made a copper wire flower shape, based on the centre of the pink flower, and put it onto the enamel, then put it back into the kiln to melt the enamel again, so the wire would sink into it and would hold  it firmly. I then used white enamel powder around the wire part, so a little bit of the yellow was still visible through it.

 I wanted to also colour the outer grooves, but not to cover up the whole of the surface, because I wanted it to have the mix of old metal with new enamel. I used white and red enamel because there was no pink, and think it has worked well. I have not used enamel before this, and think my outcome is very successful in showing the mix of old with new, and also making a new object from an old one. This could be used as a decorative object on its own, or could be made into a brooch or necklace.

I then tried to make something from a can base that didn't include using any new materials, so I decided to use some paper clips and a drawing pin, to add to the can as decoration. I think this worked well because all of the materials are shiny metal, and are designed to be functional not decorative so using them in this way is interesting. I have bent the paper clips so they look like the flower petals, and also used shears to cut the edge into petal shapes.

Ceramics: Slab work and texture.

 In ceramics, we did slab work as part of our skills building phase. First I chose a square outside, to use to inspire my composition. I chose a part with leaves and the edge of a wall, so I thought this would have lots of different textures to experiment with and I really liked the contrast between the curved lines of the leaves and the straight sharp lines of the bricks.







I used rubbings and photocopies to create a collage, and drew a rectangle on top, to show which part I was going to portray on my clay slab.

I have tried to make sure some of the lines were going diagonally to the edges of my rectangle, to make it more interesting.

 To put texture onto my clay, I pressed it into a part of the wall that had ridges across, to try to get a similar texture to my rubbings.











I also used leaves, and rolled them into the clay to create very delicate imprints of the veins and outline.

 I made a leaf imprint on a separate, quite thin piece of clay, and positioned it on top of a smaller piece, to make it more 3D. I curved up the edges slightly to make it look more like a real leaf that had just fallen off the tree.

 My finished piece, just before it went into the kiln. I decided to cut the edges straight to contrast to the natural organic shapes of the leaves and texture pieces.

I also used some white slip to colour some parts, and I hope to add more colour or a glaze once it has been fired for the first time.